24 essays on Kathy Acker, Octavia Butler, Angela Carter torrent

ANGELA CARTER
01. Isn't It Romantic?: Angela Carter's Bloody Revision of the Romantic Aesthetic in "The Erl-King"
02. The Modern English Visionary: Peter Ackroyd's "Hawksmoor" and Angela Carter's "The Passion of New Eve"
03. Intersexions: Gender Metamorphosis in Angela Carter's The Passion of New Eve and Lois Gould's A Sea-Change
04. Return of the Century: Time, Modernity, and the End of History in Angela Carter's 'Nights at the Circus'
05. Angela Carter's "Nights at the Circus:" An Engaged Feminism via Subversive Postmodern Strategies
06. Oral Sex: Vampiric Transgression and the Writing of Angela Carter
07. Pornography, Fairy Tales, and Feminism: Angela Carter's "The Bloody Chamber"
KATHY ACKER
08. The Geography of Enunciation: Hysterical Pastiche in Kathy Acker's Fiction
09. Blood Money: Sovereignty and Exchange
10. All in the Family: Kathy Acker’s Blood and Guts in High School
11. Informational Inheritance in Kathy Acker’s Empire of the Senseless
12. Bruises, Roses: Masochism and the Writing of Kathy Acker
13. Voice in Kathy Acker's Fiction
14. Flogging a Dead Language: Identity Politics, Sex, and the Freak Reader in Acker's Don Quixote
15. "I Can't Get Sexual Genders Straight": Kathy Acker's Writing of Bodies and Pleasures
OCTAVIA BUTLER
16. Families of Orphans: Relation and Disrelation in Octavia Butler's Kindred
17. An Interview With Octavia E. Butler
18. Would You Really Rather Die than Bear My Young?: The Construction of Gender, Race, and Species in Octavia E. Butler's "Bloodchild"
19. Power and Repetition: Philosophies of (Literary) History in Octavia E. Butler's "Kindred"
20. Octavia Butler and the Black Science-Fiction Heroine
21. Radio Imagination: Octavia Butler on the Poetics of Narrative Embodiment
22. Connections, Links, and Extended Networks: Patterns in Octavia Butler's Science
23. The Competing Demands of Community Survival and Self-Preservation in Octavia Butler's "Kindred"
24. Taking Out The Trash: Octavia E. Butler's "Wild Seed" and the Feminist Voice in American SF