Pink Floyd - Welcome To The Machine (Xvid-2nafish) torrent

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"Welcome to the Machine" is the second song on Pink Floyd's 1975 album Wish You Were Here. It is notable for its use of heavily processed synthesizers and guitars, as well as a wide and varied range of tape effects.

Gerald Scarfe created a music video, initially a backdrop film for when the band played the track on its 1977 In the Flesh tour. The fanciful video begins with a giant mechanical beast; a cross between a Triceratops and an armadillo (similar to the creature on the cover of Emerson, Lake & Palmer's Tarkus). The creature slowly lumbers across an apocalyptic cityscape. The scene then shifts to show emaciated rats leaping around corpse-laden steel girders. Gleaming industrial smokestacks soon fade in, and disturbingly crack and ooze blood. A view of a barren desert is then immediately shown. In the background a small tower grows out of this desert, but then transforms into a screaming monster, which stops to pant for a few seconds before viciously decapitating an unsuspecting man in the foreground. His head then very slowly decays to a damaged skull as the sun sets. Finally, an ocean of blood washes away this scene, and the waves turn into thousands of hands waving in rhythm to the music (much like people at a rock concert). All of the surrounding buildings are swept away; except one. Despite being pulled at by the bloody masses, it survives and, synchronising with the sound effects at the end of the track, flies up and away, high above the clouds to where it fits snugly into a hole inside a gargantuan floating ovoid structure.

The song explores the band's negativity towards the music industry and the whole of industrialized society. The song centres around an aspiring musician who is getting signed by a seedy executive to the music industry, "The Machine". The voice predicts all the boy's seemingly rebellious ideas ("You bought a guitar to punish your ma, you didn't like school, and you know you're nobody's fool"). The boy's illusions of personal identity are further crushed with lines such as, "What did you dream, it's alright we told you what to dream". The lyrics also allude to the band's disillusionment with the music industry as a money-making machine rather than a forum of artistic expression. On the original LP, the song segued from the first 5 parts of the suite "Shine On You Crazy Diamond" and closed the first side. On the CD pressings, especially the 1997 and 2000 remastered issues, it segues (although very faintly) to "Have a Cigar". This segueing is a few seconds longer on the US version than the UK version.

Wish You Were Here is the ninth studio album by English progressive rock group Pink Floyd, released in September 1975. Inspired by material they composed while performing across Europe, it was recorded over numerous sessions at London's Abbey Road Studios. The album explores themes of absence, the music business, and former band-mate Syd Barrett's mental decline. Early sessions were a difficult and arduous process but it was Roger Waters' idea to split the centrepiece track "Shine On You Crazy Diamond" in two, and join each half with three new compositions. "Shine On" was a tribute to Barrett, who, in an ironic twist, made an impromptu visit to the studio while it was being recorded. The band failed initially to recognise Barrett, who had gained weight and changed in appearance.

As in their previous work, The Dark Side of the Moon, the band made use of studio effects and synthesizers. Roy Harper was a guest vocalist on "Have a Cigar". The album packaging, again designed by Storm Thorgerson, featured an opaque black sleeve inside which was hidden the album artwork. Wish You Were Here premièred at Knebworth in July 1975, and was released in September that year. It was an instant success; record company EMI was unable to print enough copies to satisfy the demand. Initially receiving mixed reviews, the album has since been voted to the 209th place on Rolling Stone magazine's list of the 500 Greatest Albums of All Time. Band members Richard Wright and David Gilmour have both declared Wish You Were Here their favourite Pink Floyd album.


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