[24/96] AC/DC - Back In Black (1980) - 2003, Vinyl Rip torrent

AC/DC ‎- Back In Black (1980) - 2003

Epic - E 80207, USA, Remastered, Reissue

LP, Vinyl Rip, 24/96, FLAC (tracks+.cue)

Rip by aksman

Side 1

A1 - Hells Bells (5:10}
A2 - Shoot To Thrill (5:17)
A3 - What Do You Do For Money Honey (3:36)
A4 - Given The Dog A Bone (3:31)
A5 - Let Me Put My Love Into You (4:12)

Side 2

B1 - Back In Black (4:17)
B2 - You Shook Me All Night Long (3:29)
B3 - Have A Drink On Me (4:01)
B4 - Shake A Leg (4:04)
B5 - Rock And Roll Ain't Noise Pollution (4:12)

Credits

Bass – Cliff Williams
Drums – Phil Rudd
Lead Guitar – Angus Young
Rhythm Guitar – Malcolm Young
Vocals – Brian Johnson
Written-By – Young, Johnson, Young*

Engineer – Tony Platt
Engineer [Assistant] – Benji Armbrister*, Jack Newber*
Engineer [Mixing] – Brad Samuelsohn
Producer – Robert John "Mutt" Lange*
Remastered By – George Marino
Written-By – Young*, Johnson*, Young*

Notes

180 Gram Vinyl Pressing.
Remastered from the original master tapes by George Marino at Sterling Sound
Embossed artwork on sleeve.

Originally released as Atlantic 16018 on July 25, 1980

Barcode and Other Identifiers

Barcode: 6 9699-80207-1 9


Technical Informations

Hannl"limited" Record Cleaning Machine with Rotating Brush
Music Hall MMF 9.1 Turntable
Tonearm Pro-Ject 9cc Evo with Pure Silver Wires
Nagaoka MP-500
Brocksieper Phonomax (Tube Phono-PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Silent Wire NF 5
Wavelab 6.1 recording software
iZotope RX Advanced 2.0

Vacuum Cleaning > TT > Brocksieper Phonomax > Laptop > Wavelab 6.1 (24/192) > manual click removal
analyze (no clipping, no DC Bias offset) > split into individual Tracks
> resampling and dither to 24/96 with iZotope RX Advanced > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.

Personal Note (from aksman)

With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-
processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do
an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant
ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the
process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records
recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In
some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria,
which is IMO quite high.