Vince Gill - The Key (1998) (@320) torrent

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Vince Gill - The Key

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Artist...............: Vince Gill

Album................: The Key

Genre................: Country

Source...............: HDCD

AMG rating...........: 4.5 out of 5

Release date.........: Aug. 11, 1998

Ripper...............: EAC v0.95 (Secure mode) / LAME 3.96.1

Codec................: LAME 3.96

Version..............: MPEG 1 Layer III

Quality..............: 320kbps

Channels.............: Joint Stereo / 44100 hz

Tags.................: ID3 v1.1, ID3 v2.3

Playing Time.........: 45:32

Total Size...........: 106 MB

Included.............: NFO, M3U, SFV checksum, EAC log, covers

Ripped by............: Dylan



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Tracks

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1. Don't Come Crying to Me 3:07

2. If You Ever Have Forever in Mind 4:39

3. I Never Really Knew You 2:16

4. Kindly Keep It Country 3:11

5. All Those Years 4:00

6. I'll Take Texas 2:07

7. My Kind of Woman / My Kind of Man 3:55

8. There's Not Much Love Here Anymore 3:29

9. Let Her In 3:05

10. The Hills of Caroline 4:44

11. Live to Tell It All 3:37

12. What They All Call Love 3:20

13. The Key to Life 4:02





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AMG review

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This is perhaps the most distinctive and artistic project Vince Gill

has released to date, an amazing array of traditional styles displaying

his versatile talent. Going back to his roots as he has not done in too

many years, Gill shines like God's brightest penny, and even Tony Brown's

usual heavy-handed production style seems to be as light as an angel's

feather this time around. Gill is in fine voice throughout, joining with

a colorful cast of backup singers to create music that modern mainstream

country radio has not played in well over a decade. With 13 tracks, Gill

eases gracefully from one style to another. From a classic hillbilly waltz

to the edgy Bakersfield sound. He even skillfully tips his hat to guitar

great Roy Nichols on the soon-to-be-classic "There's Not Much Love Here

Anymore." A duet with honky tonk songbird Patty Loveless, "My Kind of Woman

/My Kind of Man," stands proudly next to the best country duets by George

and Tammy or Merle and Bonnie Owens. Most impressive is "Kindly Keep It

Country," a stone-cold country hit that details one man's heartbreak and

the soothing effects of a jukebox and a bar stool. As heartbreaking as any

song ever written is "Let Her In," told from the perspective of a divorced

father who is trying to rebuild his life and still retain his relationship

with his daughter. Just as effective is "The Hills of Caroline," a mountain

tune with a strong melody and story that is enhanced by the beautiful backing

vocals of Alison Krauss. The title cut, which is also the final cut, is

endearing and comes directly from Gill's relationship with his late father.

For emotional depth, honesty, and musical accomplishment, this is certainly

Gill's crowning achievement to date.



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