Underworld - A Hundred Days Off (2 LP) - 2002, FLAC (tracks) torrent

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Underworld - A Hundred Days Off

Жанр: Techno, Progressive House
Носитель: LP
Год выпуска: 2002
Лейбл: JBO (JBO1020101)
Страна-производитель: Великобритания
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24/192
Формат раздачи: 24/192
Продолжительность: 01:01:48

Треклист:
01. Mo Move (6:53)
02. Two Months Off (9:08)
03. Twist (6:23)
04. Sola Sistim (6:26)
05. Little Speaker (8:37)
06. Trim (3:24)
07. Ess Gee (2:19)
08. Dinosaur Adventure 3D (7:55)
09. Ballet Lane (3:39)
10. Luetin (7:04)

Источник оцифровки: thezabs
Устройство воспроизведения: Rega Naia Turntable with Rega Naia PSU
Головка звукоснимателя: Rega Aphelion 2 Cartridge
Предварительный усилитель: Rega Aura Phono Stage > Rega Osiris Amplifier
АЦП: RME ADI-2 Pro FS R BE ADC
Программа-оцифровщик: Audition CC 2021
Обработка: Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +4 DB > Remove DC Bias
[spoiler="Условия оцифровки"]
Lineage:
Degritter RCM > Rega Naia Turntable with Rega Naia PSU > Rega Aphelion 2 Cartridge > Rega Aura Phono Stage > Rega Osiris Amplifier > RME ADI-2 Pro FS R BE ADC > AudioQuest Carbon USB Cable > USB-IN > Audition CC 2021 @ 24bit float, 192kHz capture.

Processing:
24bit wav > Run through Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +4 DB > Remove DC Bias > Saved as 24bit,192kHz WAV > FLAC > Tagged with Discogs tagger through Foobar.

Scans:
Epson Expression 11000XL -> 16bit 600 DPI with Unsharp Mask -> Color Correction in Photoshop CC 2021 x64 -> 8bit 600DPI PNG.
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[spoiler="Спектры"]

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[spoiler="Динамический отчет (DR)"]
foobar2000 1.6.16 / Dynamic Range Meter 1.1.1
log date: 2025-04-24 18:39:14

--------------------------------------------------------------------------------
Analyzed: Underworld / A Hundred Days Off
--------------------------------------------------------------------------------

DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR10 -0.98 dB -13.53 dB 6:53 01-Mo Move
DR12 -0.92 dB -15.09 dB 9:08 02-Two Months Off
DR11 -0.88 dB -15.69 dB 6:23 03-Twist
DR11 -0.77 dB -12.95 dB 6:26 04-Sola Sistim
DR10 -0.76 dB -12.58 dB 8:37 05-Little Speaker
DR11 -1.64 dB -14.98 dB 3:24 06-Trim
DR11 -5.45 dB -19.83 dB 2:19 07-Ess Gee
DR11 -1.32 dB -14.40 dB 7:55 08-Dinosaur Adventure 3D
DR11 -1.88 dB -16.03 dB 3:39 09-Ballet Lane
DR13 -0.82 dB -15.23 dB 7:04 10-Luetin
--------------------------------------------------------------------------------

Number of tracks: 10
Official DR value: DR11

Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5086 kbps
Codec: FLAC
================================================================================
[/spoiler]
[spoiler="Review by John Bush"]
As if they didn't have to prove they're still viable as a commercial and artistic outfit, Underworld's Rick Smith and Karl Hyde faced an additional challenge for A Hundred Days Off -- prove to the dance cognoscenti they could withstand the loss of Darren Emerson, the producer who kick-started the band when he joined in 1992. Unfortunately, the results prove only that Emerson most likely did contribute a certain something, now lacking, to the three LPs he graced. Underworld's trademarked sound, however, is mostly a creation of Smith and Hyde, and present from the opener, "Mo Move," wherein a dizzying cycle of gurgling bass, crepe paper percussion, and sequencers set off Hyde's lonely, adrift vocals. The album also reaches an early peak on "Two Months Off," with a repeated synthesizer riff playing off a brilliant succession of harmonies and basslines, with a hypnotizing performance by Hyde over the top. From there, the album heads off into a succession of overly familiar tracks, either po-mo acid house blues à la Dubnobasswithmyheadman ("Sola Sistim," "Trim," "Ballet Lane") or minimalist, pinpoint techno ("Dinosaur Adventure 3D," "Luetin"). Surprisingly, counter to expectations after the brash youngster leaves the fold, A Hundred Days Off doesn't suffer from the oldster syndrome; the production is edgy and up-to-date as usual, but the songs lack the energy, the feeling, and even the melody of Underworld's classic records.
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