Squarepusher - Music Is Rotted One Note - 1998, FLAC (tracks) torrent

Hi-Res форматы, оцифровки » Оцифровки с аналоговых носителей » Электронная музыка (оцифровки)

Squarepusher - Music Is Rotted One Note

Жанр: Fusion, IDM, Experimental
Носитель: LP
Год выпуска: 1998
Лейбл: Warp Records (WARPLP57)
Страна-производитель: Великобритания
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24/192
Формат раздачи: 24/192
Продолжительность: 00:49:10

Треклист:
01. Chunk-S (2:20)
02. Don't Go Plastic (4:20)
03. Dust Switch (4:30)
04. Curve 1 (2:05)
05. 137 (Rinse) (3:44)
06. Parallelogram Bin (2:25)
07. Circular Flexing (5:39)
08. Ill Descent (2:37)
09. My Sound (6:07)
10. Drunken Style (0:46)
11. Theme from Vertical Hold (4:25)
12. Ruin (1:56)
13. Shin Triad (2:27)
14. Step 1 (1:46)
15. Last Ap Roach (4:03)

Источник оцифровки: thezabs
Устройство воспроизведения: Rega P10 Turntable with Rega P10 PSU
Головка звукоснимателя: Rega Apheta 3 Cartridge
Предварительный усилитель: PS Audio NuWave Phono Converter ADC
Программа-оцифровщик: Audition CC 2019
Обработка: Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +6 DB > Remove DC Bias
[spoiler="Условия оцифровки"]
Lineage:
Degritter RCM > Rega P10 Turntable with Rega P10 PSU > Rega Apheta 3 Cartridge > PS Audio NuWave Phono Converter ADC > AudioQuest Carbon USB Cable > USB-IN > Audition CC 2019 @ 24bit float, 192kHz capture.

Processing:
24bit wav > Run through Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +6 DB > Remove DC Bias > Saved as 24bit,192kHz WAV > FLAC > Tagged with Discogs tagger through Foobar.

Scans:
Epson Expression 11000XL -> 16bit 600 DPI with Unsharp Mask -> Color Correction in Photoshop CC 2021 x64 -> 8bit 600DPI PNG.
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[spoiler="Спектры"]

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[spoiler="Замер динамического диапазона"]
foobar2000 1.6.16 / Dynamic Range Meter 1.1.1
log date: 2023-01-21 00:46:50

--------------------------------------------------------------------------------
Analyzed: Squarepusher / Music Is Rotted One Note
--------------------------------------------------------------------------------

DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR15 -2.17 dB -20.89 dB 2:20 01-Chunk-S
DR13 -1.02 dB -17.22 dB 4:20 02-Don't Go Plastic
DR13 -2.86 dB -19.89 dB 4:30 03-Dust Switch
DR12 -2.02 dB -21.01 dB 2:05 04-Curve 1
DR14 -0.92 dB -19.42 dB 3:44 05-137 (Rinse)
DR11 -2.89 dB -19.25 dB 2:25 06-Parallelogram Bin
DR13 -0.88 dB -18.17 dB 5:39 07-Circular Flexing
DR11 -0.93 dB -17.61 dB 2:37 08-Ill Descent
DR12 -1.99 dB -18.65 dB 6:07 09-My Sound
DR12 -5.16 dB -20.69 dB 0:46 10-Drunken Style
DR13 -0.90 dB -17.74 dB 4:25 11-Theme from Vertical Hold
DR8 -1.02 dB -14.88 dB 1:56 12-Ruin
DR12 -1.19 dB -16.59 dB 2:27 13-Shin Triad
DR11 -1.29 dB -19.72 dB 1:46 14-Step 1
DR14 -1.58 dB -18.42 dB 4:03 15-Last Ap Roach
--------------------------------------------------------------------------------

Number of tracks: 15
Official DR value: DR12

Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4817 kbps
Codec: FLAC
================================================================================
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[spoiler="Review by Greg Prato"]
The one-man drum'n'bass outfit Squarepusher (aka Tom Jenkinson) treads upon more unpredictable terrain on Music Is Rotted One Note. Although the album still contains elements of his usual drum'n'bass sound, this is by and large a jazz/fusion affair. Jenkinson does a masterful job playing all the instruments live and by himself, and perfectly re-creates the funky atmosphere of such early-'70s Miles Davis classics as Get Up With It and On the Corner. Jenkinson's performances throughout the disc are both flawless and inspired -- he obviously realized that if he were to pay tribute to Miles, nothing but the best would do. Davis' spirit lives on in such tracks as "Don't Go Plastic," "Dust Switch," "137 (Rinse)," and "Theme From Vertical Hold," while "My Sound" perfectly captures the essence of Miles' calming and reflective compositions. But don't be misled; this is not a by-the-numbers rip-off of Miles Davis. Jenkinson updates these familiar sounds with '90s recording techniques and injects enough of his own style into the mix to keep it recognizable. Miles would be proud.
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