Emily Wells - Promise - 2016, FLAC (image+.cue), lossless torrent

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Emily Wells - Promise

Жанр: Trip-Hop
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 2016
Издатель (лейбл): Thesis & Instinct records
Страна исполнителя (группы): США

Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Продолжительность: 00:58:45
Источник: собственный рип
Наличие сканов в содержимом раздачи: да

Треклист:
1 | Los Angeles | 7:30
2 | You Dream of China | 4:13
3 | Don't Use Me Up | 3:53
4 | Pack of Nobodies | 4:00
5 | Take It Easy | 6:54
6 | Come to Me | 4:33
7 | Falling in on It | 5:10
8 | Antidote | 6:26
9 | Adagio | 4:38
10 | Richard | 4:10
11 | Light Is Drainin' | 7:18
[spoiler="Лог создания рипа"]
Exact Audio Copy V1.3 from 2. September 2016

Отчёт EAC об извлечении, выполненном 17. февраля 2021, 20:07

Emily Wells / Promise

Дисковод: hp CDDVDW TS-H653T Adapter: 1 ID: 3

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000

Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 128 kBit/s
Качество : Высокий
Добавление ID3-тега : Нет
Утилита сжатия : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Дополнительные параметры : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%

TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
---------------------------------------------------------------------
1 | 0:00.00 | 7:30.16 | 0 | 33765
2 | 7:30.16 | 4:12.42 | 33766 | 52707
3 | 11:42.58 | 3:53.03 | 52708 | 70185
4 | 15:35.61 | 3:59.40 | 70186 | 88150
5 | 19:35.26 | 6:54.04 | 88151 | 119204
6 | 26:29.30 | 4:33.25 | 119205 | 139704
7 | 31:02.55 | 5:10.17 | 139705 | 162971
8 | 36:12.72 | 6:26.14 | 162972 | 191935
9 | 42:39.11 | 4:38.37 | 191936 | 212822
10 | 47:17.48 | 4:09.53 | 212823 | 231550
11 | 51:27.26 | 7:18.04 | 231551 | 264404

Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла C:\Users\biotox\Desktop\Новая папка\Emily Wells - Promise.wav

Пиковый уровень 98.8 %
Скорость извлечения 4.4 X
Качество диапазона 100.0 %
CRC теста 4FF84FE9
CRC копии 4FF84FE9
Копирование... OK

Ошибок не произошло

AccurateRip: сводка

Трек 1 : извлечено точно (доверие 3) [3CB1CDF2] (AR v2)
Трек 2 : извлечено точно (доверие 3) [6795F537] (AR v2)
Трек 3 : извлечено точно (доверие 3) [EB433851] (AR v2)
Трек 4 : извлечено точно (доверие 3) [24F9ACA1] (AR v2)
Трек 5 : извлечено точно (доверие 3) [BF605B02] (AR v2)
Трек 6 : извлечено точно (доверие 3) [7FA0B05D] (AR v2)
Трек 7 : извлечено точно (доверие 3) [47FA9995] (AR v2)
Трек 8 : извлечено точно (доверие 3) [5A8914BE] (AR v2)
Трек 9 : извлечено точно (доверие 3) [4475E8A6] (AR v2)
Трек 10 : извлечено точно (доверие 3) [A0E77817] (AR v2)
Трек 11 : извлечено точно (доверие 3) [27BD735C] (AR v2)

Все треки извлечены точно

Конец отчёта

---- CUETools DB Plugin V2.1.6

[CTDB TOCID: 07kCkLcDzTxyxFp7.mUkvgdwwZw-] found
Submit result: 07kCkLcDzTxyxFp7.mUkvgdwwZw- has been confirmed
Track | CTDB Status
1 | (16/16) Accurately ripped
2 | (16/16) Accurately ripped
3 | (16/16) Accurately ripped
4 | (16/16) Accurately ripped
5 | (16/16) Accurately ripped
6 | (16/16) Accurately ripped
7 | (16/16) Accurately ripped
8 | (16/16) Accurately ripped
9 | (16/16) Accurately ripped
10 | (16/16) Accurately ripped
11 | (16/16) Accurately ripped

==== Контрольная сумма отчёта 7DB4724E1F64B1611CACFDB365797FD2DFE5E73CD1E9A20955D72404DA7E84BE ====
[/spoiler]
[spoiler="Содержание индексной карты (.CUE)"]
REM GENRE Pop/Rock
REM DATE 2016
REM DISCID A40DC50B
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Emily Wells"
TITLE "Promise"
REM COMPOSER ""
FILE "Emily Wells - Promise.flac" WAVE
TRACK 01 AUDIO
TITLE "Los Angeles"
PERFORMER "Emily Wells"
REM COMPOSER "Emily Wells"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "You Dream of China"
PERFORMER "Emily Wells"
REM COMPOSER "Emily Wells"
INDEX 01 07:30:16
TRACK 03 AUDIO
TITLE "Don't Use Me Up"
PERFORMER "Emily Wells"
REM COMPOSER "Emily Wells"
INDEX 01 11:42:58
TRACK 04 AUDIO
TITLE "Pack of Nobodies"
PERFORMER "Emily Wells"
REM COMPOSER "Emily Wells"
INDEX 01 15:35:61
TRACK 05 AUDIO
TITLE "Take It Easy"
PERFORMER "Emily Wells"
REM COMPOSER "Emily Wells"
INDEX 01 19:35:26
TRACK 06 AUDIO
TITLE "Come to Me"
PERFORMER "Emily Wells"
REM COMPOSER "Emily Wells"
INDEX 01 26:29:30
TRACK 07 AUDIO
TITLE "Falling in on It"
PERFORMER "Emily Wells"
REM COMPOSER "Emily Wells"
INDEX 01 31:02:55
TRACK 08 AUDIO
TITLE "Antidote"
PERFORMER "Emily Wells"
REM COMPOSER "Emily Wells"
INDEX 01 36:12:72
TRACK 09 AUDIO
TITLE "Adagio"
PERFORMER "Emily Wells"
REM COMPOSER "Emily Wells"
INDEX 01 42:39:11
TRACK 10 AUDIO
TITLE "Richard"
PERFORMER "Emily Wells"
REM COMPOSER "Emily Wells"
INDEX 01 47:17:48
TRACK 11 AUDIO
TITLE "Light Is Drainin'"
PERFORMER "Emily Wells"
REM COMPOSER "Emily Wells"
INDEX 01 51:27:26
[/spoiler]
[spoiler="Dynamic Range Meter"]
foobar2000 1.6.2 / Dynamic Range Meter 1.1.1
log date: 2021-02-23 00:21:35

--------------------------------------------------------------------------------
Analyzed: Emily Wells / Promise
--------------------------------------------------------------------------------

DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR9 -0.10 dB -11.97 dB 7:30 01-Los Angeles
DR8 -0.10 dB -9.95 dB 4:13 02-You Dream of China
DR11 -0.10 dB -13.95 dB 3:53 03-Don't Use Me Up
DR6 -0.10 dB -9.18 dB 4:00 04-Pack of Nobodies
DR6 -0.10 dB -10.15 dB 6:54 05-Take It Easy
DR9 -0.10 dB -12.11 dB 4:33 06-Come to Me
DR8 -0.10 dB -11.49 dB 5:10 07-Falling in on It
DR9 -0.10 dB -11.78 dB 6:26 08-Antidote
DR6 -0.10 dB -9.48 dB 4:38 09-Adagio
DR8 -0.10 dB -11.14 dB 4:10 10-Richard
DR7 -0.10 dB -10.02 dB 7:18 11-Light Is Drainin'
--------------------------------------------------------------------------------

Number of tracks: 11
Official DR value: DR8

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 761 kbps
Codec: FLAC
================================================================================
[/spoiler]
[spoiler="Доп. информация"]
• “Quietly transfixing…Ms. Wells works in the manner of what Walt Whitman called “a noiseless, patient spider,” sending out filament after filament until a structure begins to form.” –NEW YORK TIMES

•"The shape-shifting string virtuoso ignores genre boundaries while conjuring a uniquely affecting session of atmospheric folk..." - RED BULL MUSIC ACADEMY

• “Extraordinary, presenting a sort of ambient gospel-folk music that’s immersed in secular desires and experiences.” – NPR

• “‘Promise’ is a record like few others – both tangible and smoky, guttural and delicate, it treads atop a thin sheet of ice throughout, yet remains unafraid to bask in the warmth of its creator.” – DIY

Emily Wells on making "Promise":

How do you write a record about friendship and the climate changing and fear of the unknown and love and desire and risk and amnesia and allow them to all sit together impolitely with no one leaving the room? The process of making "Promise" was this internal conversation, which I tried to extend through books and a chronic watching of Pina Bausch films. The often repetitive, agonistic, and emotional nature of her work felt akin to my own practice as performer and as producer, building on layers of repetition, disrupting, then building again. Watching her work projected bluntly on the wall gave me a sense of companionship in the studio, particularly when I had reached a point in the record when all the things I thought I knew about making a record turned back on me in a stampede.
These finished recordings and their live counterparts take their time - and in doing so ask for a bit of grace. I returned often to an interview I'd watched with the light artist James Turrell where he says, "…not everyone will sit in a darkened room for ten minutes before they begin to see." This idea allowed me be patient with the work, both in process and outcome.

When writing, when recording, there is a period where everything is in service of the song, if at times unconsciously. As the song begins to take form, however, its role shifts: the song is in service of the life it feeds. How then to convey a malleable "you," interchangeable with the self, with the friend, with the lover, with the listener, the future? I sought teachers; Joan Didion, a keen observer of "us” and "me", and I kept near favorite essays - writers on writing, on the history of music, on politics and political life, on the mind. There were songs and albums too, and whether wordless compositions or modern pop they all stood for the same end: engagement with the self, the friend, the heartbroken, the story, the listener. And of course through all of this there remains, for me, the meditation on all the actual people and times in my life, still present inside each song.

The album was influenced by the following:
PIna Bausch's "Die Klage der Kaiserin", James Baldwin, Diane Keaton reading Joan Diddion's "Slouching Towards Bethlehem", Kafka’s “Description of a Struggle”, Tomas Transtromer’s “Half Finished Heaven”, Wim Winder's on "Pina", Cabello/Carceller, Wallace Stevens, Joseph Brodsky’s “Less Than One”, Bach Partita no 2, Drake’s "Nothing was the Same", Alemayehu Eshete, James Turrell, Wendy Rene “After Laughter Comes Tears Staxx Reissue” Leonard Cohen's "Chelsea Hotel"
credits
released January 29, 2016

Promise was written recorded produced & performed by Emily w/ the following contributions
Additional production & drum programming by Jacob Plasse for
Don't Use Me Up, Come to me, Fallin In on It, Adagio, and Los Angeles
Promise was mixed by Emily Wells & Jacob Plasse w/ help from Samantha “Pedestrian Ears” Nye
Promise was mastered by Henrik Jonsson
Vocals & Emily's live drums recorded by Joshua Kessler at Bushwick Studios
Acoustic & Electric Cello performed by Topu Lyo for
Los Angeles, Don't Use Me Up, Come To Me, Adagio, Light is Drainin
Additional live drums & percussion performed by Shayna Dunkelman, recorded by Jeffrey Fettig
at the Creamery for Don't Use Me Up, Take It Easy, Come to Me, Antidote, Light is Drainin
Vibraphone performed by Shayna Dunkleman on Los Angeles
French Horn performed by James Wells on Come To Me
Emily performs: violin, viola, vocals, drum programming, live drums, analog synth, guitars, bass
Artwork & title derived from Cabello/Carceller 1998 Installation at La Gallera, Valencia "Promesa"
Layout, Design, Logo by Mia Rockel
[/spoiler]