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Sounds To Sample - Tropical BassИздатель: Sounds To Sample
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Сайт:
beatport.com[hr]
Формат: WAV, MIDI, Maschine Project
Качество: 24 bit 44.1 kHz stereo
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Описание: Вдохновители Sounds to Sample всегда раздвигают границы и исследуют новые стили, чтобы принести вам свежий звук. Этот новый набор Tropical Bass смешивает Dancehall, Electro, Baile Funk, Grime, Soca, Dubstep, Nu Rave и Hip Hop в новый энергичный звук с тяжелым басом. Внутри вы найдете 10 комплектов, которые содержат аудио лупы, пресеты для Massive и MIDI файлы в стиле Mad Decent, DIM MAK, M.I.A, Dave Taylor, Crookers, Bloody Beetroots, Dave Nada of Nadastrom.
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10 Construction Kits - Tempo and Key Labeled
All construction kits include : Massive Presets , MIDI Files and Audio Loops
One Shots folder - Bass Hits, Drums, FX Synth & Vocal Stabs
1 Native Instruments - Maschine 2.0 Project - 8 Instrument Groups ( kits )
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[spoiler="Дополнительная информация"]
The masterminds at Sounds to Sample are always pushing the boundaries and exploring new styles to bring to the sample market.
Their latest release Tropical Bass delves into the musical genre that blends Dancehall, Electro, Baile Funk, Grime, Soca, Dubstep, Nu Rave and Hip Hop into one energetic bass heavy head nodding experience.
These sounds are built heavily around the likes of artists & labels like Mad Decent, DIM MAK, M.I.A, Dave Taylor, Crookers, Bloody Beetroots, Dave Nada of Nadastrom.
Included are 10 construction kits that contain all the audio loops, Massive presets and MIDI files for flexibility and re-programming.
One Shots have also been included so that you can load all the individual drum, synth and vocal hits into your favorite software or hardware sampler.
Additionally a Native Instruments Maschine 2.0 Project has also been provided with all the one shots samples mapped out into 8 groups for easy sequencing and triggering.
If your looking to for new ways to remix material or create a festival segway smasher that Diplo & Major Lazer would envy, look no further than Sounds to Sample’s Tropical Bass.
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