
Category: Adults, Historical Fiction
Language: EnglishKeywords: 1960's Dominican Republic Rafael Trujillo
Written by Julia Alvarez
Read by Alma Cuervo, Blanca Camacho, Melanie Martinez, Noemi De La Puente
Format: MP3
Bitrate: 64 Kbps
Unabridged
Publisher: Recorded Books, Inc.
Release date: November 23, 2005
Duration: 13:23:10
It is November 25, 1960, and the bodies of three beautiful, convent-educated sisters have been found near their wrecked Jeep at the bottom of a 150-foot cliff on the north coast of the Dominican Republic. El Caribe, the official newspaper, reports their deaths as an accident. It does not mention that a fourth sister lives. Nor does it explain that the sisters were among the leading opponents of Gen. Raphael Leonidas Trujillo’s dictatorship. It doesn’t have to.
Everyone knows of Las Mariposas - “The Butterflies.” Now, three decades later, Julia Alvarez, also a daughter of the Dominican Republic and long haunted by these sisters, immerses us in a tangled and dangerous moment in Hispanic Caribbean history to tell their story in the only way it can truly be understood - through fiction. In this brilliantly characterized novel, the voices of all four sisters - Minerva, Patria, Maria Teresa, and Dede - speak across the decades, to tell their own stories - from hair ribbons to gunrunning to prison torture - and to describe the everyday horrors of life under Trujillo’s rule.
Publishers Weekly—Each of the girls–Patria, Minerva and Maria Terese (Mate) Mirabal–speaks in her own voice, beginning in their girlhood in the 1940s; their surviving sister, Dede, frames the narrative with her own tale of suffering and dedication to their memory. To differentiate their personalities and the ways they came to acquire revolutionary fervor, Alvarez takes the risk of describing their early lives in leisurely detail, somewhat slowing the narrative momentum. In particular, the giddy, childish diary entries of Mate, the youngest, may seem irritatingly mundane at first, but in time Mate’s heroism becomes the most moving of all, as the sisters endure the arrests of their husbands, their own imprisonment and the inexorable progress of Trujillo’s revenge. Alvarez captures the terrorized atmosphere of a police state, in which people live under the sword of terrible fear and atrocities cannot be acknowledged. As the sisters’ energetic fervor turns to anguish, Alvarez conveys their courage and their desperation, and the full import of their tragedy
Publisher: Recorded Books, Inc.
Release date: November 23, 2005
Duration: 13:23:10
It is November 25, 1960, and the bodies of three beautiful, convent-educated sisters have been found near their wrecked Jeep at the bottom of a 150-foot cliff on the north coast of the Dominican Republic. El Caribe, the official newspaper, reports their deaths as an accident. It does not mention that a fourth sister lives. Nor does it explain that the sisters were among the leading opponents of Gen. Raphael Leonidas Trujillo’s dictatorship. It doesn’t have to.
Everyone knows of Las Mariposas - “The Butterflies.” Now, three decades later, Julia Alvarez, also a daughter of the Dominican Republic and long haunted by these sisters, immerses us in a tangled and dangerous moment in Hispanic Caribbean history to tell their story in the only way it can truly be understood - through fiction. In this brilliantly characterized novel, the voices of all four sisters - Minerva, Patria, Maria Teresa, and Dede - speak across the decades, to tell their own stories - from hair ribbons to gunrunning to prison torture - and to describe the everyday horrors of life under Trujillo’s rule.
Publishers Weekly—Each of the girls–Patria, Minerva and Maria Terese (Mate) Mirabal–speaks in her own voice, beginning in their girlhood in the 1940s; their surviving sister, Dede, frames the narrative with her own tale of suffering and dedication to their memory. To differentiate their personalities and the ways they came to acquire revolutionary fervor, Alvarez takes the risk of describing their early lives in leisurely detail, somewhat slowing the narrative momentum. In particular, the giddy, childish diary entries of Mate, the youngest, may seem irritatingly mundane at first, but in time Mate’s heroism becomes the most moving of all, as the sisters endure the arrests of their husbands, their own imprisonment and the inexorable progress of Trujillo’s revenge. Alvarez captures the terrorized atmosphere of a police state, in which people live under the sword of terrible fear and atrocities cannot be acknowledged. As the sisters’ energetic fervor turns to anguish, Alvarez conveys their courage and their desperation, and the full import of their tragedy